Art Moscow 2026
- Dates
- 22 - 26 April 2026
- Location
- Gostiny Dvor — Russia, Moscow
How was the exhibition
- The 23d Edition Of The "Art Moscow" Art Fair 2026
- Country
- Russia
- Year
- 2026
- VIP Preview
- April 22
- General Admission
- April 23 - 26
- Booth
- J - 55
- Location
- Gostiny Dvor - Ilyinka St, 4, Moscow, Russia
- Curatorial Concept
- “Poetic Form Of The Precision”
Konstantin Chaykin takes part in the contemporary art fair Art Moscow. From April 22 to 26, the master will present a project in which engineering logic transforms into painting, and the precision of draftsmanship acquires a poetic form.
The concept of the booth is built around the transformation of mechanical-geometric code into image. Here, graphic works and paintings coexist as a single process, where thought moves from line to color, from calculation to intuition. A special focus is placed on graphic artworks, including pieces never before exhibited, revealing the artist’s inner laboratory.
The paintings' section is represented by the four artworks: Dormouse, Goddess of Tempo, Thinking of the Time’s Birth, and A Mad Horological Party. Together, they form the core of the artistic statement, where mechanics becomes a metaphor for consciousness, and time unfolds as a philosophical category and a source of imagery.
Chaykin’s booth offers not merely an exhibition, but a space for observing how a Horological Archetype comes into being.
The concept of the booth is built around the transformation of mechanical-geometric code into image. Here, graphic works and paintings coexist as a single process, where thought moves from line to color, from calculation to intuition. A special focus is placed on graphic artworks, including pieces never before exhibited, revealing the artist’s inner laboratory.
The paintings' section is represented by the four artworks: Dormouse, Goddess of Tempo, Thinking of the Time’s Birth, and A Mad Horological Party. Together, they form the core of the artistic statement, where mechanics becomes a metaphor for consciousness, and time unfolds as a philosophical category and a source of imagery.
Chaykin’s booth offers not merely an exhibition, but a space for observing how a Horological Archetype comes into being.
Exhibition gallery
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